Thursday, September 18, 2014

If I could turn back time: Things I wish I'd done differently at NSS


As I mentioned previously, I did extensive research on the National Stationery Show for two years before I actually exhibited there. However, as with all studying, nothing can prepare you for the real thing. (unless, of course, the "real thing" is a test.) If you're considering exhibiting at a trade show for the first time, I've outlined here some things that I wish I'd done differently - things that I wasn't able to find on any of the many blogs or articles I read about trade shows. Others may have differing opinions.

If I could do it again, here's what I would change:

1. Have a catalog ready at least one month before the start of the show. I've had a catalog since 2011 and have updated it once a year, but I'd been putting off making the catalog because I was completely dependent on my husband for taking the photos and adding them to the catalog. I was afraid to ask him because he was busy with work. However, in April, I discovered that scanning the cards with the same blue backdrop actually works just as well - and sometimes even better - than taking product photos! And I learned and re-learned how to work with InDesign, so I was able to update my catalog by myself.

Anyway, personal anecdote aside, it's great to have a catalog ready in advance of the show in case you want to send it to any prospects. I had several stores on my dream list that I would have loved to send catalogs to, but I wasn't able to because the catalog wasn't ready. Would it have made a difference? Maybe, maybe not.

2. Send pre-show mailers 3-4 weeks before the Show. I couldn't find a lot of information on this beforehand, but in any case, I ended up sending mine out pretty late - probably 2 weeks before the Show. If I had to do it again, I would send it at least 3 weeks, and probably more like 4 weeks before the start of the Show.

3. Give catalogs to all buyers who stop into your booth. Be incredibly generous with people who stop into your booth. If I were doing this again, I would give a catalog to every buyer who stepped into my booth! During the first day, I was overly cautious in handing them out. I wish I had not been! Especially now, when I'm left with about 25 catalogs from the Show! (Yes, I know I can use them to send out with my orders or for direct mail marketing, but they also have a huge "2014" on the front cover...so time is running out!) When I stopped by my friend Brad's booth on the first day, his sister (who didn't know I was an exhibitor) asked me, "Would you like a catalog?" I should have taken a lesson from her and done the exact same thing right away! Instead, it took another day or two for it to sink in. So...take a lesson from me and have a catalog free-for-all in your booth!

4. Get business cards from everyone you talk to. Another tip that took me a little longer to learn. But yes, I do wish I'd gotten business cards from everyone I spoke to, especially from the first day (which was the busiest for me).

5. Curate your greeting card and product selection. When I was preparing for the show, two of my retailers advised me to display everything I had. So I did. I even brought back some designs I had discontinued, thinking, who knows, maybe someone will want it! However, displaying everything - or almost everything - from 7 years worth of work in an 8x10 space, not to mention fitting in 3 other designers, is not a great idea. I think the amount of cards overwhelmed and maybe even scared off people, and my best work got kind of lost in the mix. Next time, I would curate more effectively.

6. Leave the majority of your press kits in the Press Room. The show management will tell you to make 50, leave 30 in the Press Room and 20 in your booth to hand out to the press. Well, if you're a first-time exhibitor, chances are that the press will not be seeking out your booth. Even though I've had a lot of press mentions in the past, most people don't really know who I am. So I would recommend leaving 5 in your booth and the rest upstairs. Also, check periodically to see how many are left and to make sure no one has messed with your press kits.

7. Display your cards on shelves. I went through many debates with myself and Mitya over whether or not to install shelving. Ultimately I decided to stick the cards on the wall because (I thought) it was easier, and because the retailers I asked for advice recommended I do that.

Well...I don't think it really makes a difference for potential retailers whether your cards are on the shelves or stuck to the walls, but it makes a huge difference for you, the exhibitor. It took me so long to tape the cards to the wall. I didn't put them in the plastic sleeves because I didn't want light reflecting off of them and I wanted people to be able to touch the actual product. So I had to tape the insides of the card to the envelope and then tape the back of the card to the wall. It takes a lot of time! And taking them down takes a long time, too! Installing and taking down shelves would have been much quicker. Also, I wouldn't have ruined the cards, either. So, learn from my mistake and install shelving in your booth!

8. I wouldn't have exhibited at the National Stationery Show. This has potential to cause controversy, but I just had to put it out there. I'd thought that, having gotten into over 40 stores on my own and with the help of a sales rep, my line would have been a success at the Show. That was not the case. Whatever the reason (and there are plenty of theories), my money would have been better spent exhibiting at the New York Gift Fair (which I was initially considering, and which my retailers strongly recommended over the Stationery Show) or even just traveling to a few select cities to scout for stores. However, some people did do very well, so you never know. I don't want to get into a deep discussion about it here, but if you are trying to decide between shows and would like to hear my perspective, send me an e-mail. I'd be happy to help!

Sunday, September 14, 2014

Blog Hop!

I was tagged in this blog hop by Queenie of Queenie's Cards. Basically, the idea is to talk about your work and then tag two other people to participate. It's a great way for your fans to get to know you better and to help promote other artists!

Queenie and I met through my friend and her booth neighbor, Keisha of Punch Street, while we were all preparing for the National Stationery Show this past May. We exchanged several long emails before the Show, and then finally grabbed dinner at Shake Shack Monday night of the Show and headed over to Bryant Park to relax and chat for a while. We instantly bonded, and when I found out that Queenie's birthday is the same day as that of one of my best friend's, I wasn't surprised at all.

Queenie's designs are super cute on their own, but they are doubly clever because of the witty puns that accompany them! Here are two of my favorites:
                                                                       (I love pomeranians!)


I love seals, too! Plus, this card made me feel smart because I didn't have to look it up its meaning. Thanks to 5.5 years of French in middle and high school, and 2 years of living in Montreal!

Now to the questions:

1) What are you writing/working on?

I'm currently working on an order for Hanji handmade paper and gifts in Toronto, and for the McCord Museum in Montreal. I just released a new line of paper Christmas ornaments. I'm also working on some Kansas-themed cards, and a bunch of other things I'll be announcing soon!

2) How does your work differ from others in your genre?

Because papercut collage is so time- and labor-intensive, there are few artists who create greeting cards in this medium. The few I know who work in this medium have resorted to printing their greeting cards. (I admit that I've done this to some extent, too.)  

I also try to be different in terms of content. I stay away from trends, and if I have an idea that I then see in other cards (because that will inevitably happen), I abandon it. Any relation to trends is purely accidental. For example, my octopus cards were inspired by a stuffed animal octopus I found in the bottom of a bin at a store in Park City, Utah, more than 10 years ago - and not because octopi had become trendy. I also try to represent popular themes in ways that have never been done before and, barring that, to come up with a pleasant combination of colors and shapes.

3) Why do you create?

I started creating because I wanted to do something with my hands after years of being inside my head. Now I can't stop!

4) How does your creative process work?

In the simplest iteration, I'll have an idea, sketch it out, choose the colors, and cut the shapes out and assemble them together. Other times, it's much harder. I'll spend a lot of time brainstorming, sketching different ideas, playing around with them, and seeing what works. 

Now it's my turn to tag people! I am tagging Keisha De Paz of Punch Street. Keisha and I were introduced to each other courtesy of a journalist who had interviewed her for Forbes. She's also a fellow law school graduate, and started her line of cards after watching an episode of The Wire. She started out with a line of urban cards and has evolved her brand to include "trinky things" - cards with jewelry. Unfortunately, her website is under construction so I can't grab any of her images to show off here!

I'm supposed to tag two people, but I'm too scared to ask anyone else, so...if you see this and would like to participate, just let me know and I'd be happy to promote you here!